Shine On You Crazy Diamond

She's only seventeen, so she's probably not ready. hearts in a cage

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MGMT performs onstage during day 2 of the 2014 Coachella Valley Music & Arts Festival at the Empire Polo Club on April 12, 2014 in Indio, California.
Porque nada combina mais com a manhã
Nada se compara com a realização de um sonho. É sobre correr quilômetros, passar calor, frio, aperto fome, MUITA sede e não ter mais perna. Mas também é sobre sentir alguns daqueles poucos sentimentos impossíveis de descrever, de ver ídolos bem na sua frente. De ver Starlight,  Where Is My Mind, The Suburbs e chorar muito por estar lá naquele momento. É sobre gritar horrores com New Born, Hysteria, Ready to Go, Reflektor, 11th Dimension, Ya Hey, A-Punk e dançar muito mais também. É sobre viver o sonho. Conclusão: Lollapaloza 2015.  (em Lollapaloza Brasil 2014)

den tjugoandra december. (by hannah ingelsten)

This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 


mom: go do the dishes

me: no